Meet Earl Falconer: The Legendary Bassist of UB40
As the sun sets over Coachman Park on August 8th, the reggae vibes will resonate through the air, and at the heart of it all will be Earl Falconer—the groove master, the bassist extraordinaire, and a founding member of UB40.
For over forty years, Earl has been the backbone of UB40’s iconic sound. His massive basslines have fueled hits like “Red Red Wine,” “Kingston Town,” and “Can’t Help Falling in Love.” But what makes Earl truly remarkable is his unwavering passion for music.
Earl’s bass journey began with a Hofner copy, but it was the Steinberger four-strings that stole his heart. These lightweight instruments, made of carbon fiber, have traveled continents with him, always staying in tune. And if you spot a cool piece of artwork on Earl’s bass, credit goes to Brian, the saxophonist and abstract artist in the band.
As UB40 celebrates its 40th anniversary, Earl Falconer remains committed to creating magic on stage. His gear preferences include Steinbergers and a classic Fender Bassman amp. And while the years have reduced the on-stage volume, Earl’s passion still burns bright.
So, when Earl steps onto the Coachman Park stage, know that you’re witnessing a bass legend—a man who has shaped reggae history and continues to groove with timeless energy.
Q: Earl, you’ve been with UB40 since its inception. Can you share a bit about how the band came together and your role in shaping its sound?
A: “UB40 started as a group of friends who shared a love for reggae and dub. We formed in Birmingham, UK, back in 1978. My role as the bassist has been crucial in creating our signature sound.”
Q: Over the years, UB40 has seen various lineup changes. How have these transitions impacted the band’s dynamics and musical direction?
A: “Lineup changes are inevitable in any long-standing band. While it can be challenging, it also brings fresh perspectives. We’ve adapted and evolved, staying true to our reggae roots.”
Q: Your basslines are iconic in UB40’s hits. How do you approach creating memorable bass parts for the band’s songs?
A: “I draw inspiration from classic reggae bassists like Aston ‘Family Man’ Barrett. Simplicity and groove are key. I aim to complement the melodies and lyrics.”
Q: UB40’s cover of “Red Red Wine” became a massive hit. What was the story behind choosing that song, and how did it impact the band’s career?
A: “We loved Neil Diamond’s original, but our reggae version resonated with audiences worldwide. It opened doors for us and remains a fan favorite.”
Q: Recently, you battled meningitis. How did that experience affect your perspective on life and music?
A: “It was a wake-up call. I appreciate every moment now. Music is my passion, and I’m grateful to be back playing with UB40.”
Q: As a musician, how do you balance staying true to your roots while exploring new sounds and genres?
A: “It’s about evolution, not revolution. We incorporate influences from different cultures while keeping our reggae foundation intact.”
Q: What’s your favorite UB40 album, and why?
A: “That’s tough! But if I had to pick, ‘Labour of Love’ holds a special place. It allowed us to reinterpret classic reggae songs.”
Q: Looking ahead, what excites you about UB40’s future?
A: “We’re working on new material, collaborating with other artists, and planning tours. The journey continues!”
Q: Lastly, what message would you like to share with UB40 fans?
A: “Thank you for your unwavering support. Keep the reggae spirit alive!”
ROCKBANDREVIEWS.COM / 2024
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